The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Chomette, René
number of items: 23
| ?O | City of publication unknown | 
| ?V | Publishing company unknown | 
| ?J | Year of publication unknown | 
| ?N | Issue number unknown | 
| ?G | Volume number unknown | 
| ?D | Date of publication unknown | 
| ?P | Number of pages unknown | 
| ?R | Series number unknown | 
#1
Baker, George: Entr’acte. In: October ?G. 2003. No. 105. [Summer] pp. 159-165.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Entr’acte (1924) 
 Dadaismus ~ Dadaism 
#2
Baker, Kage: Paris Qui Dort (The Crazy Ray), directed by René Clair. In: Baker, Kage: Ancient rockets: Treasures and trainwrecks of the silent screen. Edited by Kathleen Bartholomew. - San Francisco, California: Tachyon Publishing 2011. p. ?P.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Paris qui dort (1923) 
 Stummfilm ~ Silent Film 
#3
Carroll, Noël: Entr’acte, Paris and Dada. In: Millennium Film Journal 1977/1978. No. 1. [Winter] pp. 4-11.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Entr’acte (1924) 
 Paris ~ Paris 
 Dadaismus ~ Dadaism 
#4
Delfini, Daniela / Fuster, Enrique / Galván, José Maria: Verso Dio nel cinema: Viaggio in dieci tappe. - Cinisello Balsamo, Milano: San Paolo 2013. (= Comunicazione: Studi.)
Description:
 Includes chapters on Stanley Kubrick’s 2001 - A Space Odyssey, Ingmar Bergman’s Tystnaden and Såsom i en spegel, Woody Allen’s The Purple Rose of Cairo, Terry Gilliam’s Brazil, Charlie Chaplin’s Modern Times, John Hillcoat’s The Road, Andrew Niccol’s Gattaca, Andrei Tarkovsky’s Soljaris and Stalker, Paul Thomas Anderson’s Magnolia, René Clair’s La beauté du diable, John Huston’s The Dead, François Truffaut’s La chambre verte, Theo Angelopoulos’s Mia eoniotita ke mia mera, Akira Kurosawa’s Dreams, Andersen Thomas Jensen’s Adams Æbler, Alain Cavalier’s Thérèse, Carl Theodor Dreyer’s Ordet, Ridley Scott’s Blade Runner and Gladiator, Fritz Lang’s Metropolis, David Wark Griffith’s Intolerance, Quentin Tarantino’s Pulp Fiction, John Lasseter’s Toy Story, Ratatouille by Brad Bird and Jan Pinkava, Frédéric Back’s L’homme qui plantait des arbres, Frank Capra’s It’s a Wonderful Life, Marc Forster’s Finding Neverland, Alejandro González Iñárritu’s Biutiful and Terrence Malick’s The Tree of Life. 
Index:
 Kubrick, Stanley 
 Bergman, Ingmar 
 Allen, Woody 
 Gilliam, Terry 
 Chaplin, Charles Spencer 
 Hillcoat, John 
 Niccol, Andrew 
 Tarkovsky, Andrei Arsenyevich 
 Anderson, Paul Thomas 
 Chomette, René [Pseudonym: Clair, René] 
 Huston, John 
 Truffaut, François 
 Angelopoulos, Theodoros 
 Kurosawa, Akira 
 Jensen, Andersen Thomas 
 Cavalier, Alain 
 Dreyer, Carl Theodor 
 Scott, Ridley 
 Lang, Fritz 
 Griffith, David Wark 
 Tarantino, Quentin 
 Lasseter, John 
 Bird, Brad 
 Pinkava, Jan 
 Back, Frédéric 
 Capra, Frank 
 Forster, Marc 
 Iñárritu, Alejandro González 
 Malick, Terrence 
 2001 - A Space Odyssey (1968) 
 Tystnaden (1963) 
 Såsom i en spegel (1960) 
 Purple Rose of Cairo, The (1985) 
 Brazil (1985) 
 Modern Times (1936) 
 Road, The (2009) 
 Gattaca (1997) 
 Soljaris (1972) 
 Stalker (1978/1979) 
 Magnolia (1999) 
 beauté du diable, La (1950) 
 Dead, The (1987) 
 chambre verte, La (1977-1978) 
 Mia eoniotita ke mia mera (1998) 
 Yume / Konno yume wo mita / Akira Kurosawa’s Dreams / Dreams (1990) 
 Adams Æbler (2005) 
 Thérèse (1986) 
 Ordet (1954) 
 Blade Runner (1982) 
 Gladiator (2000) 
 Metropolis (1925/1926) 
 Intolerance: Love’s Struggle Througout the Ages (1916) 
 Pulp Fiction (1994) 
 Toy Story (1995) 
 Ratatouille (2007) 
 homme qui plantait des arbres, L’ (1987) 
 It’s a Wonderful Life (1947) 
 Finding Neverland (2004) 
 Biutiful (2010) 
 Tree of Life, The (2011) 
 Religion ~ Religion 
#5
Dörfler, Goswin: I Married a Witch. In: Enzyklopädie des phantastischen Films. 50. Ergänzungslieferung. - Meitingen: Corian-Verlag, Oktober 1997.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 I Married a Witch (1942) 
#6
Le fantôme du Moulin-Rouge. In: Restaurations de la Cinémathèque Française 1986. No. 1. [?D] p. 50.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 fantôme du Moulin-Rouge, Le (1925) 
#7
Frodon, Jean-Michel: Le laboratoire d’Entr’acte. In: Cahiers du Cinéma 2005. No. 605. [October] p. 12.
Description:
 On the work of Dada artist Francis Picabia for the film by René Clair. 
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Picabia, Francis 
 Entr’acte (1924) 
 Dadaismus ~ Dadaism 
#8
Gerle, Jörg: Der absolute Film. In: Film-Dienst 61. 2008. No. 13. [June 19] p. 39.
Description:
 On a compilation of avant-garde films shown at the Berlin "UFA-Palast" in november 1925. The compilation contains Ballet mécanique by Fernand Léger and Dudley Murphy, Viking Eggeling’s Symphonie diagonale, Hans Richter’s Film ist Rhythmus, René Clair’s Entr’acte, Walter Ruttmann’s Opus II, Opus III and Opus IV and Ludwig Hirschfeld-Macks’s Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel. 
Index:
 Léger, Fernand 
 Murphy, Dudley 
 Eggeling, Viking 
 Richter, Hans 
 Chomette, René [Pseudonym: Clair, René] 
 Ruttmann, Walter 
 Hirschfeld-Macks, Ludwig 
 absolute Film, Der (1925) 
 Ballet mécanique (1924) 
 Symphonie diagonale (1924) 
 Rhytmus 21 / Film ist Rhythmus (1921-1923) 
 Entr’acte (1924) 
 Opus II (1921) 
 Opus III (1924) 
 Opus IV (1925) 
 Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel (1922/1923) 
 UFA ~ UFA 
 Experimentalfilme ~ Experimental Films 
 Berlin ~ Berlin 
#9
Ghezzi, Enrico: Il cinema (che) non si vede (2002/1999). In: Filmcritica 50. 2000. No. 501/502. [January/February] pp. 3-6.
Description:
 The death of Stanley Kubrick seen as the symbolic end of a film era which was formed by directors as Oson Welles, René Clair and Alfred Hitchcock. 
Index:
 Kubrick, Stanley 
 Welles, Orson 
 Chomette, René [Pseudonym: Clair, René] 
 Hitchcock, Alfred 
 Tod ~ Death 
#10
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Würzburg: Königshausen & Neumann 2011. (= Film - Medium - Diskurs 34.
Reviews:
 Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985. 
Description:
 Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People. 
Index:
 Feyder, Jacques 
 Siodmak, Robert 
 Hoyt, Harry O. 
 Lang, Fritz 
 Hitchcock, Alfred 
 Benedek, László 
 Galeen, Henrik 
 Wise, Robert 
 Fritsch, Gunther von 
 Grune, Karl 
 Derenkowitsch, Eleonora [Pseudonym: Deren, Maya] 
 Curtiz, Michael [Pseudonym: Kertész, Michael] 
 L’Herbier, Marcel 
 Riefenstahl, Leni 
 Lubitsch, Ernst 
 Ingram, Rex 
 Leni, Paul 
 Disney, Walt 
 Chomette, René [Pseudonym: Clair, René] 
 Tourneur, Jacques 
 Sirk, Douglas 
 Gilling, John 
 Visages d’enfants (1925) 
 Dark Mirror, The (1946) 
 Lost World, The (1925) 
 Blue Gardenia, The (1952/1953) 
 Dr. Mabuse, der Spieler (1921/1922) 
 Spinnen, Die (1919) 
 Wrong Man, The (1957) 
 Outer Limits (TV) 
 Alraune (1927) 
 Curse of the Cat People (1944) 
 Straße, Die (1923) 
 Ritual in Transfigured Time (1946) 
 Sklavenkönigin, Die (1924) 
 Feu Mathias Pascal (1926) 
 blaue Licht, Das (1932) 
 Augen der Mumie Ma, Die (1918) 
 Magician, The (1926) 
 Cat and the Canary, The (1927) 
 Haunted House, The (1929) 
 Ghost Goes West, The (1935) 
 I Walked with a Zombie (1943) 
 Sleep, My Love (1948) 
 Gamma People, The (1956) 
 Natur ~ Nature 
 Körper ~ Bodies 
 Fernsehen ~ Television 
 Disney ~ Disney 
 Stummfilm ~ Silent Film 
 Philosophie ~ Philosophy 
#11
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Paderborn: Universität Paderborn, Dissertation 2010.
Reviews:
 Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985. 
Description:
 Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People. 
Index:
 Feyder, Jacques 
 Siodmak, Robert 
 Hoyt, Harry O. 
 Lang, Fritz 
 Hitchcock, Alfred 
 Benedek, László 
 Galeen, Henrik 
 Wise, Robert 
 Fritsch, Gunther von 
 Grune, Karl 
 Derenkowitsch, Eleonora [Pseudonym: Deren, Maya] 
 Curtiz, Michael [Pseudonym: Kertész, Michael] 
 L’Herbier, Marcel 
 Riefenstahl, Leni 
 Lubitsch, Ernst 
 Ingram, Rex 
 Leni, Paul 
 Disney, Walt 
 Chomette, René [Pseudonym: Clair, René] 
 Tourneur, Jacques 
 Sirk, Douglas 
 Gilling, John 
 Visages d’enfants (1925) 
 Dark Mirror, The (1946) 
 Lost World, The (1925) 
 Blue Gardenia, The (1952/1953) 
 Dr. Mabuse, der Spieler (1921/1922) 
 Spinnen, Die (1919) 
 Wrong Man, The (1957) 
 Outer Limits (TV) 
 Alraune (1927) 
 Curse of the Cat People (1944) 
 Straße, Die (1923) 
 Ritual in Transfigured Time (1946) 
 Sklavenkönigin, Die (1924) 
 Feu Mathias Pascal (1926) 
 blaue Licht, Das (1932) 
 Augen der Mumie Ma, Die (1918) 
 Magician, The (1926) 
 Cat and the Canary, The (1927) 
 Haunted House, The (1929) 
 Ghost Goes West, The (1935) 
 I Walked with a Zombie (1943) 
 Sleep, My Love (1948) 
 Gamma People, The (1956) 
 Natur ~ Nature 
 Körper ~ Bodies 
 Fernsehen ~ Television 
 Disney ~ Disney 
 Stummfilm ~ Silent Film 
 Philosophie ~ Philosophy 
#12
Klingenmaier, Thomas: Meine Frau, die Hexe. In: Filmgenres: Fantasy- und Märchenfilm. Hrsg. von Andreas Friedrich. - Stuttgart: Reclam Verlag 2003. (= Universal-Bibliothek 18403.) pp. 32 ff.
Description:
 On René Clair’s I Married a Witch. 
Index:
 Chomette, René [Pseudonym: Clair, René] 
 I Married a Witch (1942) 
 Märchen ~ Fairy Tales 
 Fantasy ~ Fantasy 
 Science Fiction ~ Science Fiction 
#13
Loban, Lelia / Valley, Richard: Out of the broom closet: I Married a Witch and Bell, Book and Candle. In: Scarlet Street 2000. No. 37. [?D] pp. 64 ff.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Quine, Richard 
 I Married a Witch (1942) 
 Bell, Book and Candle (1958) 
 Religion ~ Religion 
#14
Lowe, Victoria: "Something that is US": Robert Donat, screen performance, and stardom in the 1930s. In: Journal of Film and Video 63. 2011. No. 2. [Summer] pp. 13-29.
Description:
 Discusses especially Robert Donat’s roles in Rowland V. Lee’s The Count of Monte Cristo, 
 René Clair’s The Ghost Goes West and Jacques Feyder’s Knight Without Armor. 
Index:
 Donat, Robert 
 Lee, Rowland V. 
 Chomette, René [Pseudonym: Clair, René] 
 Feyder, Jacques 
 Count of Monte Cristo, The (1934) 
 Ghost Goes West, The (1935) 
 Knight Without Armor (1937) 
#15
O’Leary, Brian: New critical methods and the films of the first avant-garde: Symphonie Diagonale and Entr’acte. In: Film Criticism 22. 1998. No. 3. [?D] pp. 22-37.
Index:
 Eggeling, Viking 
 Chomette, René [Pseudonym: Clair, René] 
 Symphonie (1924) 
 Entr’acte (1924) 
 Experimentalfilme ~ Experimental Films 
#16
Paris qui dort. In: Paris-Cinéma / Peter Greenaway. - Zürich: Filmstellen VSETH / VSU 1992. (= Dokumentation Sommer 1992.) pp. 29-31.
Description:
 On the film by René Clair. 
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Paris qui dort (1923) 
 Paris ~ Paris 
#17
Philippe, Antoine: "Belles de jour et de nuit": Les destins croisés de René Claire et de Luis Buñuel dans le canon du cinéma en français. In: French Forum 32. 2007. No. 3. [Fall] pp. 139-154.
Index:
 Buñuel, Luis 
 Chomette, René [Pseudonym: Clair, René] 
 Belle de jour (1966) 
 Nacht ~ Night 
#18
Savage, John: L’Amour fou: Nationalism, patriarchy and the nuptial farce in L’Âge d’or and Un chapeau de paille d’Italie. In: Studies in French Cinema 7. 2007. No. 3. [?D] pp. 243-258.
Index:
 Buñuel, Luis 
 Chomette, René [Pseudonym: Clair, René] 
 âge d’or, L’ (1930) 
 chapeau de paille d’Italie, Un (1928) 
 Surrealismus ~ Surrealism 
#19
Staiger, Michael: "Faust" verfilmt: Gründgens - Murnau - Clair. In: Der Deutschunterricht 51. 1999. No. 1. [?D] pp. 120-127.
Index:
 Gründgens, Gustav 
 Murnau, Friedrich Wilhelm 
 Chomette, René [Pseudonym: Clair, René] 
 Faust - Eine deutsche Volkssage (1926) 
 Faust ~ Faust 
#20
Stewart, Garrett: Framed time: Toward a postfilmic cinema. - Chicago, Illinois: University of Chicago Press 2007. (= Cinema and modernity.)
Reviews:
 Fradley, Martin: [untitled.] In: Film Quarterly 64. 2010. No. 1. [?D] pp. 70-74. 
 Jacobson, Brian R.: [untitled.] In: Discourse 32. 2010. No. 2. [?D] pp. 260-263. 
Description:
 Discusses, among others, Christopher Nolan’s Memento, Erik Skjoldbjærg’s Insomnia, Tom Tykwer’s Lola rennt, Krzysztof Kieslowski’s La double vie de Véronique, Julio Medem’s La ardilla roja, Alex Proyas’s Dark City, Alejandro Amenábar’s Abre los ojos and The Others, Cameron Crowe’s Vanilla Sky, Steven Spielberg’s A.I. - Artificial Intelligence, M. Night Shyamalan’s The Sixth Sense, Adrian Lyne’s Jacob’s Ladder, Spike Jonze’s Adaption and Being John Malkovich, Mark Romanek’s One Hour Photo, James Mangold’s Identity, Robert Longo’s Johnny Mnemonic, René Clair’s Paris qui dort, Gregory Hoblit’s Frequency, Richard Kelly’s Donnie Darko, Josef Rusnak’s The Thirteenth Floor, Michael Gondry’s Eternal Sunshine of the Spotless Mind, Stanley Kubrick’s 2001 - A Space Odyssey, Joseph Ruben’s The Forgotten, La cité des enfants perdus by Marc Caro and Jean-Pierre Jeunet, Butterfly Effect by Eric Bress and J. Mackye Gruber, and the Matrix films by the Wachowsky’s. 
Index:
 Nolan, Christopher 
 Tykwer, Tom 
 Skjoldbjærg, Erik 
 Kieslowski, Krzysztof 
 Medem, Julio 
 Proyas, Alex 
 Amenábar, Alejandro 
 Crowe, Cameron 
 Spielberg, Steven 
 Shyamalan, M. Night 
 Lyne, Adrian 
 Jonze, Spike 
 Romanek, Mark 
 Mangold, James 
 Longo, Robert 
 Chomette, René [Pseudonym: Clair, René] 
 Hoblit, Gregory 
 Kelly, Richard 
 Rusnak, Josef 
 Gondry, Michael 
 Kubrick, Stanley 
 Jonze, Spike 
 Ruben, Joseph 
 Caro, Marc 
 Jeunet, Jean-Pierre 
 Bress, Eric 
 Gruber, J. Mackye 
 Wachowski, Andy 
 Wachowski, Larry 
 Memento (2000) 
 Lola rennt (1998) 
 Insomnia (1997) 
 double vie de Véronique, La / Podwójne zycie Weroniki (1991) 
 ardilla roja, La (1993) 
 Dark City / Dark World / Dark Empire (1997) 
 Abre los ojos (1997) 
 Others, The (2001) 
 Vanilla Sky (2001) 
 A.I. - Artificial Intelligence (2001) 
 Sixth Sense, The (1999) 
 Jacob’s Ladder (1990) 
 Adaption (2003) 
 One Hour Photo (2002) 
 Identity (2003) 
 Johnny Mnemonic (1995) 
 Paris qui dort (1923) 
 Frequency (2000) 
 Donnie Darko (2001) 
 Thirteenth Floor, The (1999) 
 Eternal Sunshine of the Spotless Mind (2004) 
 2001 - A Space Odyssey (1968) 
 Being John Malkovich (1999) 
 Forgotten, The (2004) 
 cité des enfants perdus, La (1995) 
 Butterfly Effect (2004) 
 Matrix, The (Filmreihe) 
 Zeit ~ Time 
#21
Villani, Simone: Prologo in teatro, epilogo al cinema: Murnau, Clair e le riscritture filmiche del Faust. In: Cultura tedesca 37. 2009. No. ?N. [?D] pp. 117-121.
Index:
 Murnau, Friedrich Wilhelm 
 Chomette, René [Pseudonym: Clair, René] 
 Faust - Eine deutsche Volkssage (1926) 
#22
Westerdale, Joel: 3 May 1925: French and German avant-garde converge at Der absolute Film. In: A new history of German cinema. Edited by Jennifer M. Kapczynski and Michael D. Richardson. - Rochester, New York; Woodbridge, Suffolk: Camden House 2012. (= Screen cultures: German film and the visual.) pp. 160 ff.
Index:
 Léger, Fernand 
 Murphy, Dudley 
 Eggeling, Viking 
 Richter, Hans 
 Chomette, René [Pseudonym: Clair, René] 
 Ruttmann, Walter 
 Hirschfeld-Macks, Ludwig 
 absolute Film, Der (1925) 
 Frankreich ~ France 
 Experimentalfilme ~ Experimental Films 
 Deutschland ~ Germany 
#23
White, Mimi: Two French Dada films: Entr’Acte and Emak Bakia. In: Dada / Surrealism 1984. No. 13. [?D] pp. 37-47.
Index:
 Chomette, René [Pseudonym: Clair, René] 
 Rudnitzky, Emmanuel [Pseudonym: Ray, Man] 
 Entr’acte (1924) 
 Emak-Bakia (1926) 
 Surrealismus ~ Surrealism 
 Frankreich ~ France 
 Dadaismus ~ Dadaism 
This literature list was generated on Friday, October 31, 2025
Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.
If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.


