The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Day After Tomorrow, The (2004)
number of items: 36
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#1
The Day after Tomorrow. In: Hollywood Jesus reviews, 2003-2004. Edited by Greg Wright and Jenn Wright. Introduction by David Bruce. - Burien, Washington: Hollywood Jesus Books 2004. pp. 128 ff.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Hollywood ~ Hollywood
Religion ~ Religion
#2
The Day After Tomorrow. - Nürnberg: Verlag Karin Stähle ?J. (= KINOexclusiv 215.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#3
The Day After Tomorrow. Hrsg. von Jenny Radzimski-Coltzau. - Paderborn: Schöningh 2011. (= EinFach Englisch: Unterrichtsmodell.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#4
Dockhorn, Katharina: "Die Europäer sind in die Sahara geflüchtet": Roland Emmerich über The Day After Tomorrow. In: EPD Film 21. 2004. No. 6. [June] p. 37.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
Europa ~ Europe
#5
Duncan, Jody: The Day After Tomorrow: Freeze frames. In: Cinefex 2004. No. 98. [July] pp. 70-80, 85-93, 126.
Description:
Especially on the computer generated special effects by Karen Goulekas and on the design of the disaster scenes in the film.
Index:
Emmerich, Roland
Goulekas, Karen
Day After Tomorrow, The (2004)
Technik: Computer ~ Technology: Computer
Katastrophen ~ Disasters
Technik: Spezialeffekte ~ Technology: Special Effects
#6
Everschor, Franz: Ein subversives Popcorn-Movie: Amerikanische Umweltschützer bejubeln The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 12. [June 10] pp. 48-49.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Natur ~ Nature
USA (United States of America) ~ USA (United States of America)
#7
Fell, Ken: Dying for a laugh: Disaster movies and the camp imagination. - Middleton, Connecticut: Wesleyan University Press 2005.
Reviews:
Foster, Erin: [untitled] In: Film Criticism 30. 2006. No. 3. [Spring] pp. 72-74.
Description:
Discusses, among others, Joe Dante’s Gremlins, Ivan Reitman’s Ghostbusters, Tim Burton’s Mars Attacks! and Roland Emmerich’s The Day After Tomorrow.
Index:
Dante, Joe
Reitman, Ivan
Burton, Tim
Emmerich, Roland
Gremlins (1984)
Ghostbusters (1984)
Mars Attacks! (1996)
Day After Tomorrow, The (2004)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Katastrophen ~ Disasters
Humor ~ Humor
#8
Flückiger, Barbara: Visual Effects: Filmbilder aus dem Computer. - Marburg: Schüren 2008.
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2008. No. 4. pp. 454-455.
Müller, Corinna: [untitled.] In: Film-Dienst 61. 2008. No. 21. [October 9] p. 46.
Rall, Veronika: Wie lässt man Keanu Reeves fliegen und versenkt die Titanic? In: EPD Film 25. 2008. No. 9. [September] p. 56.
Description:
On the visual film design from early animation up to nowadays computer technologies. Discusses, as examples, a lot of fantastic films, among them Stanley Kubrick’s 2001 - A Space Odyssey, James Cameron’s The Abyss, Terminator II - Judgement Day and Titanic, Ridley Scott’s Blade Runner and Gladiator, Mark Steven Johnson’s Daredevil, Roland Emmerich’s The Day After Tomorrow, David Fincher’s Fight Club, Final Fantasy: The Spirits Within by Hironobu Sakaguchi and Moto Sakakibara, Paul Verhoeven’s Hollow Man, Lee Ang’s The Hulk, Alex Proyas’s I, Robot, Neil Jordan’s Interview with the Vampire, Robert Longo’s Johnny Mnemonic, Steven Spielberg’s Jurassic Park and Minority Report, Simon West’s Lara Croft: Tomb Raider, Charles Russell’s The Mask, Fritz Lang’s Metropolis, Sam Raimi’s Spider-Man, Brett Leonard’s Virtuosity, Vincent Ward’s What Dreams May Come, Robert Zemeckis’s Who Framed Roger Rabbit and the Matrix, the Lord of the Rings and the X-Men series.
Index:
Kubrick, Stanley
Cameron, James
Scott, Ridley
Johnson, Mark Steven
Emmerich, Roland
Fincher, David
Sakaguchi, Hironobu
Sakakibara, Moto
Verhoeven, Paul
Lee Ang
Proyas, Alex
Jordan, Neil
Longo, Robert
Spielberg, Steven
West, Simon
Russell, Charles
Lang, Fritz
Raimi, Samuel M.
Leonard, Brett
Ward, Vincent
Zemeckis, Robert
Wachowski, Andy
Wachowski, Larry
Jackson, Peter
2001 - A Space Odyssey (1968)
Abyss, The (1989)
Blade Runner (1982)
Daredevil (2003)
Day After Tomorrow, The (2004)
Fight Club (1999)
Final Fantasy: The Spirits Within (2001)
Gladiator (2000)
Hollow Man (2000)
Hulk, The (2003)
I, Robot (2004)
Interview with the Vampire (1994)
Johnny Mnemonic (1995)
Jurassic Park (1993)
Minority Report (2002)
Tomb Raider / Lara Croft: Tomb Raider (2001)
Mask, The (1994)
Metropolis (1925/1926)
Spider-Man (2002)
Terminator II - Judgement Day (1991)
Titanic (1997)
Virtuosity (1995)
What Dreams May Come (1998)
Who Framed Roger Rabbit (1988)
Matrix, The (Filmreihe)
Lord of the Rings (Filmreihe)
X-Men (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation
#9
Gerle, Jörg: The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 11. [May 27] pp. 24-25.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#10
Gottwald, Mark: The Day After Tomorrow. In: Cinefantastique 36. 2004. No. 4. [August/September] p. 58.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#11
Gräfe, Lutz: The Day After Tomorrow. In: Kinder- und Jugendfilm Korrespondenz 25. 2004. No. 3(99). [?D] pp. 7-8.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#12
Hendricks, Gay / Simon, Stephen: The new wave of spiritual cinema: Must-see movies that illuminate facets of the spiritual landscape. In: Hendricks, Gay / Simon, Stephen: Spiritual cinema: A guide to movies that inspire, heal, and empower your life. - Carlsbad, California: Hay House 2005. p. ?P.
Description:
Discusses, among others, Robert Zemeckis’s Cast Away, Brett Ratner’s Family Man, David Lynch’s Mulholland Drive, Richard Linklater’s Waking Life, Ron Howard’s A Beautiful Mind, Spike Jonze’s Adaption, Jon Amiel’s The Core, Andrew Davis’s Holes, Alfred Hitchcock’s Spellbound, Andrew Stanton’s Finding Nemo, American Splendor by Shari Springer Berman, Shari and Robert Pulcini, Tim Burton’s Big Fish, What the Bleep Do We Know? by William Arntz, Betsy Chasse and Mark Vicente, Roland Emmerich’s The Day After Tomorrow and Marc Forster’s Finding Neverland.
Index:
Zemeckis, Robert
Ratner, Brett
Lynch, David
Linklater, Richard
Howard, Ron
Jonze, Spike
Amiel, Jon
Davis, Andrew
Hitchcock, Alfred
Stanton, Andrew
Springer Berman, Shari
Pulcini, Robert
Burton, Tim
Arntz, William
Chasse, Betsy
Vicente, Mark
Emmerich, Roland
Forster, Marc
Cast Away (2000)
Family Man (2000)
Mulholland Drive (2001)
Waking Life (2001)
Beautiful Mind, A (2001)
Adaption (2003)
Core, The (2003)
Holes (2003)
Spellbound (1945)
Finding Nemo (2003)
American Splendor (2003)
Big Fish (2003)
What the Bleep Do We Know? (2004)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Religion ~ Religion
#13
Höltgen, Stefan: Viel(leicht) hilft viel The Day After Tomorrow. In: F.LM - Texte zum Film. Online edition, May 2004.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#14
Jenny, Urs: Leise rieselt der Schnee. In: Der Spiegel 58. 2004. No. 22. [May 24] p. 146.
Description:
On Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Schnee ~ Snow
#15
Kennedy, Randy: Hollywood clobbers Manhattan again. In: New York Times, May 26, 2004. pp. E1 ff.
Description:
On Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Hollywood ~ Hollywood
#16
Livesey, Sophie: Climate change, capitalism, 9/11, and The Day After Tomorrow. In: Film Matters 5. 2014. No. 1. [Spring] pp. 71-75.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Politik ~ Politics
Natur ~ Nature
Katastrophen ~ Disasters
#17
Magid, Ron: Masters of disaster. In: American Cinematographer 85. 2004. No. 6. [June] pp. 44-53.
Description:
On Ueli Steiger’s camera work for Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Steiger, Ueli
Day After Tomorrow, The (2004)
Technik: Kamera ~ Technology: Camera
Katastrophen ~ Disasters
#18
McFadden, Dan: A Heideggerian interpretation of apocalyptic cinema. In: Cineaction 2015. No. 95. [?D] pp. 40-47.
Description:
Discusses especially Roland Emmerich’s 2012 and The Day After Tomorrow.
Index:
Emmerich, Roland
2012 (2009)
Day After Tomorrow, The (2004)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
#19
Mehring, Frank: Frostige Songs: Harald Kloser und seine Musik zu The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 12. [June 10] pp. 38-39.
Index:
Emmerich, Roland
Kloser, Harald
Day After Tomorrow, The (2004)
Musik ~ Music
#20
Newman, Kim: The Day after Tomorrow. In: Sight and Sound NS 14. 2004. No. 7. [July] pp. 46-48.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
#21
Podrez, Peter: Der Sinn im Untergang: Filmische Apokalypsen als Krisentexte im atomaren und ökologischen Diskurs. - Stuttgart: Ibidem-Verlag 2011. (= Film- und Medienwissenschaft 21.)
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2013. No. 3. pp. 344-346.
Description:
Includes chapters on Nicholas Meyer’s The Day After, Stanley Kubrick’s Dr. Strangelove, Roland Emmerich’s The Day After Tomorrow and Ian Gilmore’s Magma: Volcanic Disaster.
Index:
Meyer, Nicholas
Kubrick, Stanley
Emmerich, Roland
Gilmore, Ian
Day After, The (1983)
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
Day After Tomorrow, The (2004)
Magma: Volcanic Disaster (2006)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Natur ~ Nature
Atom ~ Nuclear
#22
Pohlenz, Philipp / Reusswig, Fritz / Schwarzkopf, Julia: Double impact: The climate blockbuster The Day After Tomorrow and its impact on the German cinema public. - Potsdam: Potsdam Institute for Climate Impact Reseach (PIK) 2004. (= PIK report 92.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Deutschland ~ Germany
#23
Roos, Lena: Age before beauty: A comparative study of martyrs in American disaster movies and their medieval predecessors. In: Journal of Religion and Film 11. 2007. No. 1. [April] p. 6.
Description:
Discusses Michael Bay’s Armageddon, Roger Donaldson’s Dante’s Peak, Roland Emmerich’s The Day After Tomorrow and Independence Day, Mimi Leder’s Deep Impact and Jan De Bont’s Twister.
Index:
Bay, Michael
Donaldson, Roger
Emmerich, Roland
Leder, Mimi
De Bont, Jan
Armageddon (1998)
Dante’s Peak (1996)
Day After Tomorrow, The (2004)
Independence Day (1996)
Deep Impact (1998)
Twister (1996)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Katastrophen ~ Disasters
Geschichte: Mittelalter ~ History: Middle Ages
#24
Rust, Stephen A.: Hollywood at the tipping point: Blockbuster cinema, globalization, and the cultural logic of ecology. - Eugene, Oregon: University of Oregon, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 73. 2012. No. 3. (September).]
Description:
Discusses, among others, the representation of ecological issues in Roland Emmerich’s The Day After Tomorrow and George Miller’s Happy Feet.
Index:
Emmerich, Roland
Miller, George
Day After Tomorrow, The (2004)
Happy Feet (2006)
Globalisierung ~ Globalization
Politik ~ Politics
Natur ~ Nature
Hollywood ~ Hollywood
#25
Schifferle, Hans: The Day After Tomorrow: Roland Emmerichs kritischer Katastrophenfilm. In: EPD Film 21. 2004. No. 6. [June] pp. 36-37.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
#26
Schlöndorff, Volker: Der Mensch in der Katastrophe: Innovative Konzepte dystopischer Science Fiction im frühen 20. Jahrhundert. In: Quarber Merkur 2011. No. 112. [?D] pp. 155-164.
Description:
Discusses, among others, Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Katastrophen ~ Disasters
#27
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Marburg: Tectum-Verlag 2011.
Reviews:
Weidner, Sven: [untitled.] In: Medienwissenschaft 2013. No. 4. pp. 489-490.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood
#28
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Berlin: Freie Universität Berlin, Dissertation 2009.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood
#29
Smith, Sean / Gordon, Devin: Jake Gyllenhaal: The Day After Tomorrow. In: Newsweek 143. 2004. No. 18. [May 3]. pp. 59-61.
Index:
Emmerich, Roland
Gyllenhaal, Jake
Day After Tomorrow, The (2004)
#30
Smithouser, Bob: Movie nights for teens: 25 more movies to spark spiritual discussions with your teen. - Wheaton, Illinois: Tyndale House 2005.
Index:
Wyler, William
Emmerich, Roland
Forster, Marc
Bird, Brad
Jackson, Peter
Shyamalan, M. Night
Conran, Kerry
Hitchcock, Alfred
Raimi, Samuel M.
Ben Hur (1959)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Incredibles, The (2004)
Lord of the Rings (Filmreihe)
Signs (2002)
Sky Captain and the World of Tomorrow (2004)
Spellbound (1945)
Spider-Man (2002)
Religion ~ Religion
#31
Stampf, Olaf: Kälteschock im Treibhaus. In: Der Spiegel 58. 2004. No. 22. [May 24] pp. 144-146.
Description:
On climatic disaster and the real backgrounds for Roland Emmerich’s ecological SF thriller The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Natur ~ Nature
Wissenschaft ~ Science
Katastrophen ~ Disasters
#32
Taylor, William M.: Urban disasters: Visualising the fall of cities and the forming of human values. In: Journal of Architecture 11. 2006. No. 5. [November] pp. 603-611.
Description:
On environmental disaster in film. Discusses, among others, Roland Emmerich’s The Day After Tomorrow, Jon Amiel’s The Core and Mick Jackson’s Volcano.
Index:
Emmerich, Roland
Amiel, Jon
Jackson, Mick
Day After Tomorrow, The (2004)
Core, The (2003)
Volcano (1997)
Stadt ~ City
Natur ~ Nature
Katastrophen ~ Disasters
#33
Traufetter, Gerald: "Superstürme, Fluten und Eiseskälte": Der Regisseur Roland Emmerich über seinen Klimakatastrophen-Film The Day After Tomorrow. In: kulturSpiegel 2004. No. 5. [May] pp. 21-23.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
#34
von Burg, Ron: Decades away or The Day After Tomorrow? Rhetoric, film, and the global warming debate. In: Critical Studies in Media Communication 29. 2012. No. 1. [March] pp. 7-26.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
Politik ~ Politics
Natur ~ Nature
#35
Weiner, Adam: Don’t try this at home! The physics of Hollywood movies. - New York: Kaplan Publishing 2007.
Description:
On special effects and technical gimmicks in film, especially in science fiction. Discusses, among others, the Superman, Batman, Spider-Man, Mission: Impossible and the Star Trek films as well as Ron Howard’s Apollo 13, Michael Bay’s Armageddon, Roland Emmerich’s The Day After Tomorrow and James Cameron’s Titanic.
Index:
Howard, Ron
Bay, Michael
Emmerich, Roland
Cameron, James
Superman (Filmreihe)
Batman (Filmreihe)
Spider-Man (Filmreihe)
Mission: Impossible (Filmreihe)
Star Trek (Filmreihe)
Apollo 13 (1995)
Armageddon (1998)
Day After Tomorrow, The (2004)
Titanic (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Hollywood ~ Hollywood
#36
Wolfschlag, Claus M.: The Day After Tomorrow. In: Enzyklopädie des phantastischen Films. 71. Ergänzungslieferung. - Meitingen: Corian-Verlag, Juli 2004.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
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