The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Mulligan, Robert
number of items: 6
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?R | Series number unknown |
#1
Alpin, Donald G. / Cauthen, Cramer R.: The gift refused: The southern lawyer in To Kill a Mockingbird, The Client, and Cape Fear. In: Studies in Popular Culture 19. 1996. No. 2. [?D] pp. 257-276.
Index:
Mulligan, Robert
Schumacher, Joel
Thompson, J. Lee
Scorsese, Martin
To Kill a Mockingbird (1962)
Client, The (1994)
Cape Fear (1962)
Cape Fear (1991)
Justiz ~ Justice
#2
Delorme, Stéphane: Southern gothic. In: Cahiers du Cinéma 2012. No. 684. [December] pp. 68-70.
Description:
Discusses Charles Laughton’s The Night of the Hunter, Robert Mulligan’s To Kill a Mockingbird and Elia Kazan’s Baby Doll.
Index:
Laughton, Charles
Mulligan, Robert
Kazan, Elia
Night of the Hunter, The (1955)
To Kill a Mockingbird (1962)
Baby Doll (1956)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
#3
Herbert, Daniel: To mock a killingbird: Martin Arnold’s Passage à l’acte and the dissymmetries of cultural exchange. In: Millennium Film Journal 2006. No. 45/46. [Fall] pp. 92-101.
Index:
Arnold, Martin
Mulligan, Robert
Passage à l’acte (1992)
To Kill a Mockingbird (1962)
Experimentalfilme ~ Experimental Films
#4
Malizia, Lydie: Masques fantastiques, lumière et visage: De la candeur a la terreur. In: Cinémaction 2006. No. 118. [January] pp. 103-108.
Description:
On the motif of human faces turned into masque-like visages in horror film. Includes examples from the two Village of the Damned films by Wolf Rilla and John Carpenter, Jack Clayton’s The Innocents, Robert Mulligan’s The Other and Roman Polanski’s Rosemary’s Baby.
Index:
Rilla, Wolf
Carpenter, John
Clayton, Jack
Mulligan, Robert
Polanski, Roman
Village of the Damned (1960)
Village of the Damned (1995)
Innocents, The (1961)
Other, The (1972)
Rosemary’s Baby (1968)
Körper ~ Bodies
Horror ~ Horror
#5
Nau, Peter: So dunkel ist die Nacht ... Über Kriminalfilme und ihr Genre. In: Fernseh- und Kino-Technik 27. 1983. No. ?N. [November] pp. 516-533.
Description:
Especially on the mystery crime film and the film noir. Discusses, among others, Robert Wise’s Born to Kill, Richard Fleischer’s The Narrow Margin, Robert Mulligan’s The Nickel Ride, Robert Montgomery’s Ride the Pink Horse and Joseph H. Lewis’s So Dark the Night.
Index:
Wise, Robert
Fleischer, Richard
Mulligan, Robert
Montgomery, Robert
Lewis, Joseph H.
Born to Kill (1947)
Narrow Margin, The (1952)
Nickel Ride, The (1974)
Ride the Pink Horse (1947)
So Dark the Night (1946)
Nacht ~ Night
Kriminalität ~ Crime
Film Noir ~ Film Noir
#6
Shaw, Bradley: Baptizing Boo: Religion in the cinematic Southern gothic. In: Mississippi Quarterly 63. 2010. No. 3/4. [?D] pp. 445-476.
Description:
Discusses especially Robert Mulligan’s To Kill a Mockingbird, Billy Bob Thornton’s Sling Blade and Robert Duvall’s The Apostle.
Index:
Mulligan, Robert
Thornton, Billy Bob
Duvall, Robert
To Kill a Mockingbird (1962)
Sling Blade / Reckoning (1996)
Apostle, The (1997)
Religion ~ Religion
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
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